• Limited to 200 Prints
• Print measures 85 centimetres (33 inches) wide by 60 centimetres (24 inches) tall
• Created from a dedicated high resolution studio shoot of the Jaguar E-type Series 1 Coupe car in an Opalescent Gunmetal
• Half Tone Flat Bed on brushed aluminium composite panel
• UV cured inks, can be hung directly and elegantly without frame or glass
• Created by artist and photographer Alan Thornton

This print will be delivered from the UK. Local duties and taxes may be applicable on import to regions outside the UK. By purchasing this title, you agree and consent to your information being shared with Alan Thornton for use in the fulfilment of your order.

Often hailed as the most beautiful production road car of all time, the sublime Jaguar E-type Series 1 stirred passions in automotive aficionados the world over when launched at the Geneva Salon in 1961. Based on Jaguars racing D-type, which had won Le Mans from 1955-57, the Etype was powered by a 3.8 litre version of the proven Jaguar XK engine, developing 265 brake horsepower and providing a top speed of close to 150 miles per hour.

The monocoque chassis construction, using the engine itself as a structural part of the car within the front subframe, was also indebted to the racing D-type and resulted in a considerable weight benefit. With disc brakes fitted all around the car and the addition of a sophisticated independent front and rear suspension, the E-type was ahead of its time. Allegedly described by Enzo Ferrari as the most beautiful car ever made, the E-type became an iconic symbol of the 1960s and was particularly successful in the American market.

Amalgam Collection and Alan Thornton

Amalgam is delighted to partner with artist Alan Thornton to introduce a collection of Half Tone Flat Bed prints. Precise and technical in nature, these prints isolate the subject, laying the image onto Alans signature metallic background, that focuses the viewers eye on the sculptural, organic qualities of iconic cars and planes. Alans obsession with form, function and beauty, combined with his enduring passion for all things automotive and mechanical, align perfectly with Amalgams mission.

The Process

A reprographic technique that simulates continuous-tone imagery through the use of dots, thus generating a gradient-like effect, Alan’s Half Tone artwork brings his traditional approach to screen printing into the contemporary digital world. Applied directly on to the brushed aluminium composite panels, the ink is then cured by a UV light that bonds it to the surface of the substrate, resulting in a resistant and long-lasting work of art that can even be displayed in outdoor exhibitions. This approach opens up endless ways to add texture and depth by building the image up in multiple layers, very much like the screen-printing process. The finished image is waterproof and very resistant to abrasion, so that there is no need to protect the art behind glass. The piece can be hung without a frame, creating a sharp and minimal presentation of the art floating less than an inch (15 mms) off of the wall. The piece can also be traditionally framed and hung if desired. Alans work in this medium brings exceptional precision, intensity, and glamour to the finished art.

Handling Your Print

Half Tone Flat Bedprints are supplied with a subframe attached to the back, enabling immediate float effect hanging on the wall. The finished image is waterproof and very resistant to abrasion, so that there is no need to protect the art behind glass.

Half Tone Flat Bed Fine Art Prints of the Jaguar E-type Series 1 Coupe in an Opalescent Gunmetal are limited to just 200 copies. By purchasing this print, you agree and consent to your information being shared with Alan Thornton for use in the fulfilment of your order.